فرضية النص وآلية الاداء التمثيلي في العرض المسرحي العراقي

Abstract

     Hypotheses are concidered as a main part in the theatrical performance throught out the ideas introduced by those hypotheses,and it controls the performane in a hormony way with the diroctor's idea. That means, the hypothesis is fully or partially exist in the theatrical performance. The research included four chapters. The first chapter dealt with the methodological framework, including the research problem that concentrate on the question  (What are the preoccupations of the hypothesis of the text and the mechanism of acting performance in the Iraqi theatrical show?).

As for the importance of the research, the research lies in the fact that it is a scientific study that searches for the hypothesis of the text and the mechanism of acting performance in the Iraqi theatrical performance as part of an aesthetic product  in which the text has an active presence in the acting performance. The aim of the research is to define (the hypothesis of the text and the mechanism of the acting performance in the Iraqi theatrical show), and it also includes the limits of the research, which were determined spatially: Iraq - Baghdad, and temporally: (2015-2022) and objectively: studying the hypothesis of the text and its preoccupations in determining the features of the acting performance in the theatrical show. Iraqi.

The second chapter dealt with  The second chapter deals with the theoretical framework and previous studies, including two sections, the first focuses on the study of  hypothesis of the text in literary schools).

The second section concentrate on the study of  hypothesis  of the text and the mechanism of acting performance in the theatrical international show.

The third chapter dealt with the research procedures, including the research community, which included (10) theatrical performances, and the research sample amounting to (3) performances, as it was a model for the presented theatrical performances. The chapter also included the research methodology, research tool, and sample analysis.

The fourth chapter dealt with the results of the research that the researcher reached, the most important of which were:

1. The hypothesis of the text determined the representational performance mechanism, directly or indirectly, through the intellectual projections presented by that text, as in the three presentations.
2. The mechanism of acting performance varied with the variety of texts in theatrical performances despite the different directors, as in the static performance in the play Dead Died and the historical performance in the play Revelations.

The chapter included conclusions, recommendations, proposals, a list of sources, references, appendices, and a summary in English.